Moving Mythologies: Austin Dance India Weaves Timeless Tales Through Bharatanatyam

September 6th, 2024. Austin, Tx ~ On the evening of September 6th, the Austin Hindu Temple Community Hall resonated with the age-old stories and vibrant rhythms of classical Indian dance, thanks to the much-anticipated performance of Moving Mythologies from India, presented by Austin Dance India under the artistic direction of Anuradha Naimpally. This immersive event celebrated the rich heritage of Indian mythology through Bharatanatyam, a classical dance form, with performances that were steeped in both tradition and contemporary relevance.

Anuradha Naimpally: The Vision Behind the Movement

At the heart of the evening was Anuradha Naimpally, an Austin treasure and the founder of Austin Dance India. With decades of experience under her belt, her Bharatanatyam training, rooted in the teachings of stalwarts like Pt. VJ and Smt. Jayshree Pillai in Mumbai, combined with her Western upbringing, brings a unique perspective to her work. Her versatility was apparent throughout the evening, blending classical precision with a touch of innovation. Naimpally's social practice projects, which weave together art, social justice, and cultural empowerment, reflect her deep commitment to using the arts as a vehicle for change—a philosophy that subtly infused the performances of the night.

Mythology and Movement: A Journey Through Stories

The evening unfolded like a beautifully choreographed tapestry of mythological tales. The program opened with a Ganesha Stuti, a traditional invocation honoring the elephant-headed god, Ganesha, setting a devotional and auspicious tone. The carefully selected pieces following this opening paid tribute to various aspects of Indian mythology, from the goddess of wealth and wisdom in Shankari Shabdam to the divine dance of Lord Krishna in Nanda Sunandana. Each item was meticulously presented, reflecting both reverence for the ancient stories and the dynamic energy of Bharatanatyam.

Particularly notable was Dashavatar, a depiction of the ten incarnations of Vishnu, where the dancers effortlessly transitioned between portraying different avatars, showcasing the versatility and expressive depth of the form. The intricate footwork, precise hand gestures, and emotive facial expressions were a testament to the rigorous training of the dancers, led by Naimpally’s thoughtful choreography.

The Collaborative Genius of Music

Equally compelling was the music that supported the dance. Vidwan Shri Siva Prasad's vocal mastery, with its deep roots in Carnatic music, lent an emotive richness to the narrative-driven pieces, while Vidwan Shri Umamahesh’s violin intertwined beautifully with the rhythm, adding layers of melody that echoed through the hall. The mridangam beats, expertly performed by Vidwan Dr. Thanjavur R Kesavan, punctuated the dancers’ movements with rhythmic precision, and Surabi Veeraragavan’s nattuvangam played a pivotal role in bringing the dance compositions to life. This blend of musical expertise created an immersive atmosphere, drawing the audience deeper into the mythical worlds unfolding on stage.

The Future of Bharatanatyam: Purna Bajekal

Sharing the stage with her mother, Purna Bajekal, co-artistic director of Austin Dance India, demonstrated her growth as a performer and choreographer. Her duet with Naimpally in the piece Krishna Nee was a highlight, symbolizing the continuity of tradition across generations through maternal love and wisdom. Bajekal’s work as a somatic therapist and counselor clearly informs her approach to movement, infusing her performances with a sensitivity that draws from both the physical and emotional realms.

The Grandeur of the Finale

The evening concluded with the energetic Tillana, a vibrant piece that showcased the dancers’ technical prowess through complex rhythmic patterns and intricate footwork. The finale, Mangalam, served as a fitting end, a ritualistic closure to an evening of devotion, dance, and storytelling.

Final Thoughts

Moving Mythologies from India was a testament to the power of classical arts in preserving cultural heritage while fostering community. Anuradha Naimpally, along with the talented ensemble of dancers and musicians, successfully transported the audience into the world of Indian mythology, making the ancient stories feel alive and relevant in today’s world. This performance reaffirmed Austin Dance India’s vital role in the city’s cultural landscape, providing a platform where art not only entertains but educates, empowers, and connects.

In an era where the arts can sometimes feel disconnected from their roots, this event stood as a reminder of the profound impact of tradition when it is honored and shared with intention.